Printable · GCSE Foundation · ages 14-16
Tables, charts and diagrams for data worksheet — GCSE Foundation
Fifteen questions on "tables, charts and diagrams for data" — DfE statement S2. Print it, or print three versions so neighbours cannot copy by letter; the key gives the letter for each version.
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Answer key: Tables, charts and diagrams for data worksheet — GCSE Foundation
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- (b) 4 — The difference, Bristol minus Leeds, on each day is: Monday 4 − 3 = 1, Tuesday 4 − 5 = −1, Wednesday 6 − 2 = 4, Thursday 2 − 4 = −2. The greatest amount by which Bristol exceeded Leeds is 4 hours, on Wednesday. Choosing 1 takes Monday's smaller positive difference instead of the greatest one. Choosing 2 takes the size of Thursday's difference, but that is the amount by which Leeds exceeded Bristol, the opposite direction to the one asked for. Choosing 6 takes Bristol's raw figure on Wednesday without subtracting Leeds's 2 hours first.
- (a) A vertical line chart (discrete numerical data) — The number of pets is discrete numerical data — whole-number values such as 0, 1, 2, 3 or 4 — recorded for one variable, so a vertical line chart is the chart specified for this kind of data. A bar chart is used for categorical data, such as favourite colour, not numerical values counted like this. A pie chart shows proportions of a whole and does not show the frequency of each separate value. A scatter graph compares two different variables against each other, and only one variable, the number of pets, is recorded here.
- (b) 1 — The four frequencies are 4, 7, 6 and 3 matches, and the largest of these is 7, which corresponds to 1 goal, so the modal number of goals is 1. Choosing 7 confuses the frequency, how many matches, with the number of goals itself. Choosing 2 uses the second-largest frequency, 6 matches, instead of the largest. Choosing 3 uses the smallest frequency, which belongs to the fewest matches, not the most.
- (b) A line graph — Sales recorded at the end of each of the twelve months are time series data, and a line graph is the chart built to show how a value changes over time, with the points usually joined in order. A pie chart is for showing categorical data as shares of a whole, not a trend over time. A pictogram shows a frequency for separate categories using symbols, not a continuous trend. A scatter graph is for comparing two different variables against each other, not one variable over time.
- (b) 20 — Method: each sector of a pie chart stands for a percentage of the whole set of data, so the number of pupils in a sector is that percentage of the total number of pupils. Working: the football sector is 50% and the whole pie chart stands for all 40 pupils, so the number of pupils is 50% of 40 = 0.5 × 40 = 20. Answer: 20 pupils, which is a count of pupils rather than a percentage. The distractors: 10 comes from taking the netball sector, 25% of 40, instead of the football sector; 80 comes from doubling the 40 pupils instead of halving them, which is what multiplying by 50% would do the wrong way round; 40 comes from writing down the total number of pupils in the class and never applying the percentage at all.
- (c) 90° — Method: the sectors of a pie chart share the 360° at the centre of the chart in the same proportion as the data, so a sector's angle is its share of the data multiplied by 360°. Working: a share of 25% is the fraction 25/100, which is one quarter of the whole chart, and one quarter of 360° is 360 ÷ 4 = 90°. Answer: 90°, an angle in degrees rather than a percentage. The distractors: 25° comes from sharing out 100 instead of 360, so the percentage is written straight down as a number of degrees; 14.4° comes from dividing 360 by 25 instead of multiplying 360 by the fraction 25/100, which is the division done the wrong way round; 45° comes from taking a quarter of 180° instead of a quarter of 360°, treating the pie chart as a semicircle.
- (a) The temperature is rising steadily — Method: the trend of a line graph is the overall direction of the readings as time goes on, found by comparing each reading with the one before it. Working: from 10 °C to 14 °C is a rise of 4 °C, and the same comparison from 14 °C to 18 °C, from 18 °C to 22 °C, from 22 °C to 26 °C and from 26 °C to 30 °C gives a rise of 4 °C every time; every reading is greater than the one before it and none of them falls. Answer: the temperature is rising steadily — steadily because the rise is the same size each hour. The distractors: falling steadily comes from reading the six values from right to left, which reverses the direction of time; stays the same comes from noticing that the step of 4 °C is the same each hour and describing the step as constant instead of the temperature; rises and then falls comes from assuming that a line graph has to turn at some point rather than reading the values that are actually given.
- (c) 72 — Method: when a pie chart is divided into equal sectors, each sector stands for the same share of the people asked, so the fraction of the sectors that are shaded is also the fraction of the people. Working: 6 sectors out of 10 are purple, which is the fraction 6/10 of the whole pie chart; one tenth of the 120 people is 120 ÷ 10 = 12 people, so six tenths is 6 × 12 = 72 people. Answer: 72 people, a count of people rather than a number of sectors. The distractors: 48 comes from working with the 4 sectors that are not purple, 4 × 12, and so answering for the wrong part of the chart; 60 comes from turning the fraction 6/10 into 60% and then writing the 60 down as though it were a number of people; 6 comes from writing down the number of purple sectors instead of the number of people those sectors stand for.
- (b) 13 — The total is 50, and the two known parts are 22 (tea) and 15 (coffee), so 50 − 22 − 15 = 13 hot chocolates. Choosing 28 comes from 50 − 22, subtracting only the tea and forgetting the coffee. Choosing 35 comes from 50 − 15, subtracting only the coffee and forgetting the tea. Choosing 37 comes from 22 + 15, which finds how many drinks were tea or coffee, not the number left over for hot chocolate.
- (d) 44 — Method: the frequency of a category in a frequency table is the number of times that category was counted, and it is read from the row for that category. Working: the rows of the table pair each colour with its count, and the row for black is paired with the count 44, so the frequency of black cars is 44. Answer: 44 cars — a frequency is a count of cars, not a colour and not a percentage. The distractors: 37 comes from reading the count paired with silver, that is from reading the wrong row of the table; 137 comes from adding every count in the table, 44 + 37 + 26 + 18 + 12, which gives the total number of cars rather than the frequency of one colour; 5 comes from counting how many different colours the table lists instead of how many cars were black.
- (d) 30 — Method: on a dual bar chart each bar is a separate frequency, so a total for the whole class is found by combining the two frequencies the bars show. Working: the bars show 14 boys and 16 girls, and 14 + 16 = 30. Answer: 30 pupils, a count of pupils in the class. The distractors: 32 comes from doubling the taller bar, 16 + 16, as though the two bars were equal; 28 comes from doubling the shorter bar, 14 + 14, in the same way; 2 comes from finding the difference between the two bars, 16 − 14, which answers how many more girls there are rather than how many pupils there are.
- (d) 1/2 — Method: a percentage is turned into a fraction by writing it over 100 and then cancelling the fraction down to its simplest form. Working: the reading sector is 50% of the pie chart, so as a fraction it is 50/100; dividing the numerator and the denominator by 50 gives 1/2. Answer: 1/2 of the pie chart — a fraction of the chart, not a number of pupils. The distractors: 1/4 comes from reading the share of the sport sector, 25%, instead of the share of the reading sector; 1/3 comes from counting the three sectors and assuming that three sectors must each take a third of the chart, which is only true when the sectors are equal; 3/4 comes from adding the reading and sport sectors together, 50% + 25% = 75%, instead of taking the reading sector on its own.
- (d) 75 — Method: to find a total from a bar chart, add together the height of every bar. Working: 12 + 18 + 9 + 15 + 21 = 75 books. Leaving out Wednesday's bar by mistake, 12 + 18 + 15 + 21 = 66, misses one day out of the total. Giving 21 states only Friday's bar, the tallest one, not the total of all five days. Dividing the total by the number of days, 75 ÷ 5 = 15, finds the mean number of books per day, not the total borrowed. Add up every single bar — do not stop at the biggest one, and do not divide once you have added them all.
- (a) 144° — Method: a pie chart shares the 360° at its centre between the categories in proportion to their frequencies, so the angle of a sector is that category's fraction of the total multiplied by 360°. Working: the sector stands for 40 pupils out of 100, which is the fraction 40/100; one pupil is worth 360 ÷ 100 = 3.6°, so 40 pupils are worth 40 × 3.6° = 144°. Answer: 144°, and the answer is an angle in degrees, not a number of pupils. The distractors: 40° comes from sharing out 100 instead of 360, so the percentage is written straight down as a number of degrees; 216° comes from working out the angle for the other 60 pupils, 60 × 3.6°, which is the rest of the pie chart; 180° comes from assuming that the tallest line must stand for half of the pupils and so take half of the chart.
- (c) The frequency of that category — Method: a bar chart for categorical data has one bar for each category, and the vertical scale on which the bars are measured is a count. Working: a bar drawn twice as tall as another tells you that twice as many items of data fell into its category, so the height measures how many items of data belong to that one category, which is exactly what a frequency is. Answer: the height of each bar is the frequency of that category — a count of items of data. The distractors: the number of different categories comes from reading the vertical scale as though it counted the bars, which is shown along the horizontal axis instead; the total of all the data comes from treating one bar as though it stood for the whole data set rather than for one category; the mean of all the data comes from confusing a bar chart with a measure of average, which no single bar can show.
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