Printable · GCSE Foundation · ages 14-16
Tables, charts and diagrams for data worksheet — GCSE Foundation
Fifteen questions on "tables, charts and diagrams for data" — DfE statement S2. Print it, or print three versions so neighbours cannot copy by letter; the key gives the letter for each version.
Answer key: Tables, charts and diagrams for data worksheet — GCSE Foundation
MathsUKwww.geekhero.co.uk
- (b) 1 — The four frequencies are 4, 7, 6 and 3 matches, and the largest of these is 7, which corresponds to 1 goal, so the modal number of goals is 1. Choosing 7 confuses the frequency, how many matches, with the number of goals itself. Choosing 2 uses the second-largest frequency, 6 matches, instead of the largest. Choosing 3 uses the smallest frequency, which belongs to the fewest matches, not the most.
- (a) 15 — Year 11 has 50 − 28 = 22 pupils in total. Of the 22 pupils who walk in total, 15 are in Year 10, so 22 − 15 = 7 Year 11 pupils walk. Subtracting that from the Year 11 total gives 22 − 7 = 15 Year 11 pupils who are driven. Choosing 28 takes the whole school's driven total, 50 − 22 = 28, and treats it as if it were Year 11's alone, without separating the year groups. Choosing 7 correctly finds how many Year 11 pupils walk but stops there, giving that figure instead of the number who are driven. Choosing 35 comes from 50 − 15, subtracting the Year 10 walkers from the whole school total rather than working within Year 11.
- (a) 22 — Method: the two subject totals overlap, because every pupil who passed both subjects has been counted once in the maths total and once again in the science total; adding the totals therefore counts those pupils twice, and the overlap has to be taken off once. Working: 18 + 12 = 30, and the 8 pupils who passed both have been counted twice in that 30, so the number who passed at least one subject is 30 − 8 = 22. Answer: 22 pupils, a count of pupils, and it is less than the 30 in the class, which leaves 8 pupils who passed neither. The distractors: 30 comes from adding the two subject totals and never removing the overlap, so it counts the 8 pupils twice; 14 comes from taking the 8 away twice, 18 + 12 − 8 − 8, removing an overlap that was only counted twice once too often; 18 comes from writing down the larger of the two subject totals on its own, which leaves out every pupil who passed science but not maths.
- (a) A vertical line chart (discrete numerical data) — The number of pets is discrete numerical data — whole-number values such as 0, 1, 2, 3 or 4 — recorded for one variable, so a vertical line chart is the chart specified for this kind of data. A bar chart is used for categorical data, such as favourite colour, not numerical values counted like this. A pie chart shows proportions of a whole and does not show the frequency of each separate value. A scatter graph compares two different variables against each other, and only one variable, the number of pets, is recorded here.
- (c) 20 kg ≤ mass < 30 kg — The modal class is the class with the highest frequency. Reading the plotted points, the frequencies are 6, 10, 16, 6 and 2, so the highest frequency is 16, plotted at the midpoint 25. A class of width 10 centred on 25 runs from 25 − 5 = 20 to 25 + 5 = 30, so the modal class is 20 kg ≤ mass < 30 kg. Writing '25 kg' gives only the midpoint, not the class — the modal class is an interval, not a single value. '10 kg ≤ mass < 20 kg' is the class before the peak, centred on 15, which has frequency 10, not the highest. '30 kg ≤ mass < 40 kg' is the class after the peak, centred on 35, which has frequency 6, not the highest.
- (b) A line graph — Sales recorded at the end of each of the twelve months are time series data, and a line graph is the chart built to show how a value changes over time, with the points usually joined in order. A pie chart is for showing categorical data as shares of a whole, not a trend over time. A pictogram shows a frequency for separate categories using symbols, not a continuous trend. A scatter graph is for comparing two different variables against each other, not one variable over time.
- (c) The frequency of that category — Method: a bar chart for categorical data has one bar for each category, and the vertical scale on which the bars are measured is a count. Working: a bar drawn twice as tall as another tells you that twice as many items of data fell into its category, so the height measures how many items of data belong to that one category, which is exactly what a frequency is. Answer: the height of each bar is the frequency of that category — a count of items of data. The distractors: the number of different categories comes from reading the vertical scale as though it counted the bars, which is shown along the horizontal axis instead; the total of all the data comes from treating one bar as though it stood for the whole data set rather than for one category; the mean of all the data comes from confusing a bar chart with a measure of average, which no single bar can show.
- (d) 75 — Method: to find a total from a bar chart, add together the height of every bar. Working: 12 + 18 + 9 + 15 + 21 = 75 books. Leaving out Wednesday's bar by mistake, 12 + 18 + 15 + 21 = 66, misses one day out of the total. Giving 21 states only Friday's bar, the tallest one, not the total of all five days. Dividing the total by the number of days, 75 ÷ 5 = 15, finds the mean number of books per day, not the total borrowed. Add up every single bar — do not stop at the biggest one, and do not divide once you have added them all.
- (d) 1/2 — Method: a percentage is turned into a fraction by writing it over 100 and then cancelling the fraction down to its simplest form. Working: the reading sector is 50% of the pie chart, so as a fraction it is 50/100; dividing the numerator and the denominator by 50 gives 1/2. Answer: 1/2 of the pie chart — a fraction of the chart, not a number of pupils. The distractors: 1/4 comes from reading the share of the sport sector, 25%, instead of the share of the reading sector; 1/3 comes from counting the three sectors and assuming that three sectors must each take a third of the chart, which is only true when the sectors are equal; 3/4 comes from adding the reading and sport sectors together, 50% + 25% = 75%, instead of taking the reading sector on its own.
- (d) 44 — Method: the frequency of a category in a frequency table is the number of times that category was counted, and it is read from the row for that category. Working: the rows of the table pair each colour with its count, and the row for black is paired with the count 44, so the frequency of black cars is 44. Answer: 44 cars — a frequency is a count of cars, not a colour and not a percentage. The distractors: 37 comes from reading the count paired with silver, that is from reading the wrong row of the table; 137 comes from adding every count in the table, 44 + 37 + 26 + 18 + 12, which gives the total number of cars rather than the frequency of one colour; 5 comes from counting how many different colours the table lists instead of how many cars were black.
- (d) 45 — Method: convert the angle into a fraction of the full circle, 360°, then apply that fraction to the total number of shoppers. Working: the card sector is 90° out of 360°, a fraction of 90 ÷ 360 = 0.25. Applying that fraction to the 180 shoppers gives 0.25 × 180 = 45 shoppers. Giving 90 states the angle itself, not a number of shoppers — the angle first has to be converted into a fraction. Using the remaining angle, 360 − 90 = 270°, and scaling that, 270 ÷ 360 × 180 = 135, finds the number who did NOT pay by card, not the number who did. Dividing 360 by 90, 360 ÷ 90 = 4, finds how many equal 90° sectors fit in the circle, a fact about the pie chart's shape, not about the shoppers at all. Always convert the angle to a fraction of 360° first, and apply that same fraction to the total number of people.
- (a) 144° — Method: a pie chart shares the 360° at its centre between the categories in proportion to their frequencies, so the angle of a sector is that category's fraction of the total multiplied by 360°. Working: the sector stands for 40 pupils out of 100, which is the fraction 40/100; one pupil is worth 360 ÷ 100 = 3.6°, so 40 pupils are worth 40 × 3.6° = 144°. Answer: 144°, and the answer is an angle in degrees, not a number of pupils. The distractors: 40° comes from sharing out 100 instead of 360, so the percentage is written straight down as a number of degrees; 216° comes from working out the angle for the other 60 pupils, 60 × 3.6°, which is the rest of the pie chart; 180° comes from assuming that the tallest line must stand for half of the pupils and so take half of the chart.
- (b) 15 pupils — The frequencies are 5, 4, 3 and 3 pupils, and 5 + 4 + 3 + 3 = 15, so there are 15 pupils in the class. Choosing 6 pupils comes from adding the numbers of pets, 0 + 1 + 2 + 3 = 6, instead of the frequencies. Choosing 10 pupils comes from leaving out the '0 pets' row: 4 + 3 + 3 = 10. Choosing 18 pupils comes from counting the '3 pets' row twice: 5 + 4 + 3 + 3 + 3 = 18.
- (a) The temperature is rising steadily — Method: the trend of a line graph is the overall direction of the readings as time goes on, found by comparing each reading with the one before it. Working: from 10 °C to 14 °C is a rise of 4 °C, and the same comparison from 14 °C to 18 °C, from 18 °C to 22 °C, from 22 °C to 26 °C and from 26 °C to 30 °C gives a rise of 4 °C every time; every reading is greater than the one before it and none of them falls. Answer: the temperature is rising steadily — steadily because the rise is the same size each hour. The distractors: falling steadily comes from reading the six values from right to left, which reverses the direction of time; stays the same comes from noticing that the step of 4 °C is the same each hour and describing the step as constant instead of the temperature; rises and then falls comes from assuming that a line graph has to turn at some point rather than reading the values that are actually given.
- (a) 3/10 — There are 60 − 9 = 51 right-handed pupils. Of the 24 pupils who prefer Art, 6 are left-handed, so 24 − 6 = 18 are right-handed and prefer Art. The probability that a randomly chosen pupil is right-handed and prefers Art is 18/60, which simplifies to 3/10. Giving 2/5 is 24/60 simplified — the probability of preferring Art, ignoring the right-handed condition entirely. Giving 17/20 is 51/60 simplified — the probability of being right-handed, ignoring the Art condition entirely. Giving 1/10 is 6/60 simplified — the probability of being left-handed and preferring Art, the wrong hand condition.
Build your own mix at the worksheet builder.