Printable · GCSE Foundation · ages 14-16
Tables, charts and diagrams for data worksheet — GCSE Foundation
Fifteen questions on "tables, charts and diagrams for data" — DfE statement S2. Print it, or print three versions so neighbours cannot copy by letter; the key gives the letter for each version.
Answer key: Tables, charts and diagrams for data worksheet — GCSE Foundation
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- (d) 1/2 — Method: a percentage is turned into a fraction by writing it over 100 and then cancelling the fraction down to its simplest form. Working: the reading sector is 50% of the pie chart, so as a fraction it is 50/100; dividing the numerator and the denominator by 50 gives 1/2. Answer: 1/2 of the pie chart — a fraction of the chart, not a number of pupils. The distractors: 1/4 comes from reading the share of the sport sector, 25%, instead of the share of the reading sector; 1/3 comes from counting the three sectors and assuming that three sectors must each take a third of the chart, which is only true when the sectors are equal; 3/4 comes from adding the reading and sport sectors together, 50% + 25% = 75%, instead of taking the reading sector on its own.
- (c) 90° — Method: the sectors of a pie chart share the 360° at the centre of the chart in the same proportion as the data, so a sector's angle is its share of the data multiplied by 360°. Working: a share of 25% is the fraction 25/100, which is one quarter of the whole chart, and one quarter of 360° is 360 ÷ 4 = 90°. Answer: 90°, an angle in degrees rather than a percentage. The distractors: 25° comes from sharing out 100 instead of 360, so the percentage is written straight down as a number of degrees; 14.4° comes from dividing 360 by 25 instead of multiplying 360 by the fraction 25/100, which is the division done the wrong way round; 45° comes from taking a quarter of 180° instead of a quarter of 360°, treating the pie chart as a semicircle.
- (b) 13 — The total is 50, and the two known parts are 22 (tea) and 15 (coffee), so 50 − 22 − 15 = 13 hot chocolates. Choosing 28 comes from 50 − 22, subtracting only the tea and forgetting the coffee. Choosing 35 comes from 50 − 15, subtracting only the coffee and forgetting the tea. Choosing 37 comes from 22 + 15, which finds how many drinks were tea or coffee, not the number left over for hot chocolate.
- (d) 25% — First find the number of fruit cakes: 80 − 34 − 26 = 20. Then write this as a percentage of the total: 20 ÷ 80 × 100 = 25%. Giving 20% comes from reporting the count of fruit cakes, 20, directly as a percentage, without dividing by the total of 80 first. Giving 32.5% computes the percentage of chocolate cakes instead of fruit cakes: 26 ÷ 80 × 100 = 32.5%. Giving 42.5% computes the percentage of sponge cakes instead of fruit cakes: 34 ÷ 80 × 100 = 42.5%.
- (c) 20 kg ≤ mass < 30 kg — The modal class is the class with the highest frequency. Reading the plotted points, the frequencies are 6, 10, 16, 6 and 2, so the highest frequency is 16, plotted at the midpoint 25. A class of width 10 centred on 25 runs from 25 − 5 = 20 to 25 + 5 = 30, so the modal class is 20 kg ≤ mass < 30 kg. Writing '25 kg' gives only the midpoint, not the class — the modal class is an interval, not a single value. '10 kg ≤ mass < 20 kg' is the class before the peak, centred on 15, which has frequency 10, not the highest. '30 kg ≤ mass < 40 kg' is the class after the peak, centred on 35, which has frequency 6, not the highest.
- (b) 20 — Method: each sector of a pie chart stands for a percentage of the whole set of data, so the number of pupils in a sector is that percentage of the total number of pupils. Working: the football sector is 50% and the whole pie chart stands for all 40 pupils, so the number of pupils is 50% of 40 = 0.5 × 40 = 20. Answer: 20 pupils, which is a count of pupils rather than a percentage. The distractors: 10 comes from taking the netball sector, 25% of 40, instead of the football sector; 80 comes from doubling the 40 pupils instead of halving them, which is what multiplying by 50% would do the wrong way round; 40 comes from writing down the total number of pupils in the class and never applying the percentage at all.
- (b) A line graph — Sales recorded at the end of each of the twelve months are time series data, and a line graph is the chart built to show how a value changes over time, with the points usually joined in order. A pie chart is for showing categorical data as shares of a whole, not a trend over time. A pictogram shows a frequency for separate categories using symbols, not a continuous trend. A scatter graph is for comparing two different variables against each other, not one variable over time.
- (b) 29 — There are 40 − 24 = 16 males, and 15 of them prefer cardio, so 16 − 15 = 1 male prefers weights. There are 24 females, and 10 prefer weights, so 24 − 10 = 14 females prefer cardio. Altogether, 15 + 14 = 29 people prefer cardio. Choosing 15 only counts the males who prefer cardio and forgets the females. Choosing 11 adds the two weights figures, 1 + 10 = 11, instead of the two cardio figures. Choosing 30 comes from 40 − 10, subtracting only the number of females who prefer weights from the grand total, rather than finding both cardio sub-totals separately.
- (a) A vertical line chart (discrete numerical data) — The number of pets is discrete numerical data — whole-number values such as 0, 1, 2, 3 or 4 — recorded for one variable, so a vertical line chart is the chart specified for this kind of data. A bar chart is used for categorical data, such as favourite colour, not numerical values counted like this. A pie chart shows proportions of a whole and does not show the frequency of each separate value. A scatter graph compares two different variables against each other, and only one variable, the number of pets, is recorded here.
- (c) 72° — The angle is 12 ÷ 60 × 360 = 72°. Choosing 150° divides football's frequency of 25 instead of badminton's 12: 25 ÷ 60 × 360 = 150. Choosing 20° finds badminton as a percentage of the members, 12 ÷ 60 × 100 = 20, rather than an angle in degrees. Choosing 90° uses 48, the total of the other three activities, as the total instead of the full 60 members: 12 ÷ 48 × 360 = 90.
- (a) 35 minutes — Chloe arrives at 09:30, so she needs the first departure time that is at or after 09:30. The bus at 09:25 has already left five minutes before she arrives, so it is missed, not caught; the next one on the timetable is 10:05. From 09:30 to 10:00 is 30 minutes, then a further 5 minutes to 10:05, so the wait is 35 minutes. Giving 40 minutes measures the gap from the missed 09:25 bus to the 10:05 bus, counting from the bus Chloe missed instead of from the time she arrived. Giving 5 minutes uses the missed 09:25 bus, working out 09:30 − 09:25 the wrong way round. Giving 45 minutes comes from treating the times as decimals — 10.05 − 9.30 = 0.75, then × 60 = 45 — instead of working in hours and minutes, where 05 minutes past the hour is not 0.05 of an hour.
- (d) 75 — Method: to find a total from a bar chart, add together the height of every bar. Working: 12 + 18 + 9 + 15 + 21 = 75 books. Leaving out Wednesday's bar by mistake, 12 + 18 + 15 + 21 = 66, misses one day out of the total. Giving 21 states only Friday's bar, the tallest one, not the total of all five days. Dividing the total by the number of days, 75 ÷ 5 = 15, finds the mean number of books per day, not the total borrowed. Add up every single bar — do not stop at the biggest one, and do not divide once you have added them all.
- (b) £1,000 — Wages take up 150° out of 360°, so the amount spent on wages is 150 ÷ 360 × 2400 = £1,000. Choosing £600 uses the repairs angle, 90°, instead of the wages angle: 90 ÷ 360 × 2400 = 600. Choosing £3,600 treats the angle in degrees as if it were a percentage, 150 ÷ 100 × 2400 = 3600, instead of dividing by 360°. Choosing £800 uses the angle for the 'other costs' sector, 360 − 90 − 150 = 120°, instead of the wages sector: 120 ÷ 360 × 2400 = 800.
- (b) 15 pupils — The frequencies are 5, 4, 3 and 3 pupils, and 5 + 4 + 3 + 3 = 15, so there are 15 pupils in the class. Choosing 6 pupils comes from adding the numbers of pets, 0 + 1 + 2 + 3 = 6, instead of the frequencies. Choosing 10 pupils comes from leaving out the '0 pets' row: 4 + 3 + 3 = 10. Choosing 18 pupils comes from counting the '3 pets' row twice: 5 + 4 + 3 + 3 + 3 = 18.
- (a) 3/10 — There are 60 − 9 = 51 right-handed pupils. Of the 24 pupils who prefer Art, 6 are left-handed, so 24 − 6 = 18 are right-handed and prefer Art. The probability that a randomly chosen pupil is right-handed and prefers Art is 18/60, which simplifies to 3/10. Giving 2/5 is 24/60 simplified — the probability of preferring Art, ignoring the right-handed condition entirely. Giving 17/20 is 51/60 simplified — the probability of being right-handed, ignoring the Art condition entirely. Giving 1/10 is 6/60 simplified — the probability of being left-handed and preferring Art, the wrong hand condition.
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